4th Inter-American Biennial of Video Art

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dc.contributor.author Inter-American Development Bank (IDB) en
dc.description.abstract The country with most entries was Colombia, totaling 70 coming from all parts of the country, and surpassing Argentina (in second place with 24), and others that have traditionally dominated the event, at least numerically, such as Mexico and Brazil (this year with 15 and 11 respectively). The explanation for this phenomenon may be found in the fact that Colombia is the country that in the last two years has shown the most interest in the Biennial¿s exhibit circuit, adding fi ve more venues in cities such as Santa Marta, Cali, and Medellin, in addition to Bogota where the Biennial is part of the International Film Festival, and Cartagena. It also has to do with the accessibility of technology, and the commercial possibilities of the creative technologies developed in that nation in recent years. en
dc.format.extent 75 en
dc.subject Sports & Recreation en
dc.subject Trade Agreements en
dc.subject Culture & Arts en
dc.subject Heritage Conservation en
dc.title 4th Inter-American Biennial of Video Art en
dc.contributor.other VIVIANRA
dc.date.accessioned 2011-02-11T14:42:24Z
dc.date.available 2011-02-11T14:42:24Z
dc.date.issued 2008-12-01
dc.identifier.uri http://www.iadb.org/en/publications/publication-detail,7101.html?id=7998
dc.format.medium ACROBAT
dc.language.iso en
dc.subject video_art, catalogs, Latin_America
dc.type Catalogs & Brochures
lacea.language.supported en
dc.date.modified 2016-08-17T06:44:57Z
dc.keywords EX-CAT

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